Th Future of Hip Hop Essay -- Hip Hop Music, Total Chaos

From its conception in the 1970s and throughout the 1980s, rose hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the looking at came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesnt carry on the same experiences that drive the music. An artists success hinges on pleasing consumers, non the community. In todays world, it isnt about music that rings true for those who share the artists experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop. In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question whether hip-hop is, in feature a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead (9). An often heard phase, hip hop is dead, refers to the lavishly occurrence of gangster rap in mainstream hip hop. Todays hip hop regularly features black early dayss posturing as rich thugs and humoring in expensive merchandise. The hip hop is dead perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops criticisms. This essay will examine the past and give up of hip hop in o... ... in which the expansion never ends, but all vitality is lost. The past shows us that hip hop has transformed and evolved it doesnt have to end and it doesnt have to lose its momentum. Works CitedChang, Jeff. Total Chao s The Art and Aesthetics of Hip-hop. New York BasicCivitas, 2006. Print.Farley, Christopher J. Rapper Nas Says Maybe Hip record hop Isnt Dead After All. Wall Street Journal, 20 May 2010. Web. Merwin, Scott. From Kool Herc to 50 Cent, the Story of Rap -- so Far. Pittsburgh Post-Gazette, 15 Feb. 2004. Web. Nas. 2006. Hip vamoose is Dead. Hip Hop is Dead. Def Jam Recordings.Nas. 2006. Hope. Hip Hop is Dead. Def Jam Recordings.Rose, Tricia. The Hip Hop Wars What We Talk about When We Talk about Hip Hop - and Why It Matters. New York BasicCivitas, 2008. Print.Williams, capital of Minnesota. 2004. Telegram. Saul Williams. Fader Record Label.